If it were any more laid-back, Home of the Year would be pointing towards the floor. This is tickle-under-the-chin TV, where it’s about taking part rather than bragging rights. But it’s hard to imagine the losing households are too devastated. This week the Dublin house carries the day and so will go on to the next round. To crank up the tension the combined scores for the homes are not revealed until the final minutes. The judges are broadly approving, although Cosgrove is spooked by a work desk in the bedroom. The barn-like structure has been designed in sympathy with the landscape rather than hogging the horizon like the Dark Tower of Mordor, with 15 en suite bathrooms and a trampoline out the back for the Nazgûl. “I even have a wagon wheel.”įinally, in Meath, they visit a one-off house with a difference. “I’ve walked from a traditional cottage to a traditional American dream,” Wallace gasps as he goes from one room to another. Next it’s off to Northern Ireland for a restored rural cottage that looks like Bunratty folk village on growth hormones. First it’s Ciara McMahon and Richie Hannify and their expanded 1950s residence in the Dublin suburbs. In each case they visit a home straight out of an urban-design brochure. This week the judging trio hopscotch between Dublin, Armagh and Meath. You’ll see more tooth-and-claw conflict on CBeebies Bedtime Stories. Homes are visited and compliments paid, and everyone scores at least seven out of 10. This is ambient TV with the temperature turned up to roaringly toasty. There’s none of that on Home of the Year. There’s almost always a row about joisting every episode can be counted on for a moment when Bannon, his long-suffering project manager, or the pair of them look as if they’re about to swallow their hard hats in frustration. The Dermot Bannon blockbuster, which recently wrapped its latest season, surfs on jitters and conflict. And that statement is that it’s the anti-Room to Improve. Home of the Year makes a bit of a statement itself. It’s a lesson in making a statement without forgetting the details.” Hardly a minute goes by without someone saying something like, “This home is about perfection. They waft back into the schedules full of bonhomie and eager to praise. By “they” we mean Home of the Year (RTÉ One, Tuesday, 8.30pm) and its judges, Hugh Wallace, Amanda Bone and Sara Cosgrove. feelings.If you build it, they will come. Talking to someone about what’s going on can help you feel better and start to work through whatever is causing your F.I.N.E. If you’re feeling F.I.N.E., it’s important to express your feelings to someone you trust.Bottling up your feelings can lead to more anxiety and stress. We may be putting on a brave face or trying to act like everything is okay, when in reality we’re feeling scared, insecure, anxious, or sad. When we’re feeling F.I.N.E., we’re usually not expressing how we’re really feeling inside. stands for “freak out, insecure, neurotic, and emotional” or, “feelings inside not expressed.” The words we use convey so much more meaning than what we’re actually sharing. If she didn’t want to talk to you, she wouldn’t reply. In texting, we want to use fewer letters because no one wants to use more letters. I’m concerned about you and I want to help if I can. There’s something about the way you’re acting that’s making me think you’re not really okay.
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